ORCHESTRAL
1st Mvt, Violin Concerto (2023/4)
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Mvt 1:
solo violin, cyborg chorus, and orchestra
2(I=fl & picc II=fl & picc).2.2.2. — 4.3.2.0. — timp.perc(3) — hp.pno.synth.theremin — solo violin — radios — strings
Mvt. 2:
solo violin, pipe organ, ondes martenot or preset keyboard synthesizer, Moog Theremini or traditional theremin
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Mvt. 1 = 15’ (full orchestra)
Mvt 2. = 22’ (organ, theremin, synthesizer)
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written for Emma Meinrenken.
Premiered November 2023 (2nd mvt.) & April 2024 (1st mvt.)
Next performance: March 31st, 2025, Yale University
In the valley of the shadow
(2024)
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2(II = picc).2.2(I= E-flat II = B.Cl).2. — 4.2.2.1.0 — timp.perc(2). — hp.celeste — video — strings (12.10.8.8.5)
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10’
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Written for the UC Davis Symphony Orchestra and Christian Baldini
Premiered March 2024
bruises; yellow, green, and purple (orchestral suite)
(2024)
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2(I doubling picc, II doubling bass or alto).2.2(II=bcl.)2.(II doubling contra)
4.2.2.0 (harmon and cup mutes)
timp.2perc (Thai Gongs/crot./BD/Tgl/TT/wind chimes/vib./whistle/sus. cym.)
Harp
PianoStrings (divisi up to 6 each section)
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13’
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Unperformed
Bruises; yellow, green, and purple
(2023)
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spirio | r player piano, video, and orchestra
2.2.2.2 — 2.2.1.0 — timp.perc(3) — solo spirio player pno — video — 6.6.5.6.4
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15’
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written for the Curtis Symphony Orchestra and Dr. Katelyn Bouska
Premiered April 2023
Cover Song (2022)
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2(I=fl & picc II=fl &offstage).2.2(II=cl & bcl & offstage).2 – 4.3.2.1 – timp.perc(2):2chimes/susp.cym/mar/whistle/flex/log/BD/SD/flower pots/wd blocks/offstage susp.cym – hp – live triggered electronics – 8 kalimbas (5 tuned to distinct pitch sets, 3 microtonal; included in purchase of parts set) – 5 (stands).5.4.4.3
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ca. 14′
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written for the Curtis Symphony Orchestra
Premiered April 2022
golem gives itself a name
(2020)
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3(III=fl & picc).3.3(III=bcl).3(III=cbsn) – 4.3.2.1 – timp.perc(2):susp.cym/BD/tam-t/xyl/siren/SD/vib – pno(prep.) – live projection – stgs div: 6(stands in 3 grps; A=2, B=2, C=2).5(A=2, B=2, C=1).4(A=2, B=1, C=1).4(A=2, B=1, C=1).3(A=1, B=1, C=1)
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ca. 6’
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written for the Curtis Symphony Orchestra
Premiere cancelled due to Covid-19
wherever you go, there you are
(2019)
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2.2.1.2 – 2.1.0.0 – perc: susp.thundersheet&superballs/tam-t/gro/bow.crot/susp.cym – offstage: stg. quartet, 2 in-hall vlns – 3(players).3.3.3.2
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ca. 9′
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commissioned by the Saint Paul Chamber Orchestra
Premiered February 2019
change is the only constant
(2019)
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2.2.2(II=bcl).2 – 2.1.1 – timp.perc(4):vib.flex/sound hose.SD.flex/slinky.SD/singing glass.gro.tam-t – 5(players).4.3.3.2
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ca. 8′
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written for the 2019 Cabrillo Festival of Contemporary Music Composers Workshop
Premiered July 2019