chamber

ritual in transfigured time ii (2024)

  • flute/piccolo
    clarinet in Bb/bass clarinet in Bb
    percussion:
    string quartet with practice mutes
    conductor
    film projection of Maya Deren’s 1946 “Ritual in Transfigured Time” & click track or monitor

  • 14’28”

  • Premiered at the Tanglewood Music Center August 2024

    Performed at the Coolidge Corner Theater August 2024

    Performed at the Yale School of Music November 2024

Dead reckoning
(2023)

  • violin, viola, cello, oboe, percussion: vibraphone, tam-tam, cymbals (S, M, L), bass drum, narrator (amplified)

  • 10’

  • written for the Baltic Sea Festival Science Lab with Sriharsha Vishnu Bhat, directed by Elisabet Ljungar

    Premiered in Stockholm in August 2023

come cut me open
(2023)

  • clarinet in B-flat, violin, ‘cello, piano, pre-recorded electronics with live mixing

  • 12’

  • Commissioned by Copland House CULTIVATE Fellowship

    Premiered June 2023 in New York City

    Recorded April 2024 at the Curtis Institute in Philadelphia

    Performed July 2024 at the Tanglewood Music Center

greed is good and winning is everything (2021)

  • baritone, trumpet, trombone, bass clarinet with found objects and silent film

  • ca. 22′

  • commissioned by loadbang

    Premiered by loadbang at Opera America in New York City in October 2021

Cognitive dissonance
(2020)

or, the inevitability of downfall does not necessarily negate its shock

  • any number of performers

  • ca. 3′

  • commissioned for Musical Mentor’s Collaborative’s Requiem-20

    Performed February 2021 by Miguel Harth-Bedoya and the University of Omaha Symphony Orchestra

Superspreader
(2020)

  • two pianos, toy piano, accordion (two players)

  • ca. 1′

  • commissioned by HOCKET

    Premiered online in 2020 and recorded for #What2020SoundsLike (released in 2022)

ineluctable modality of the visible (2020)

  • flute, two oboes, clarinet, horn, violin, double bass, speaker, conductor

  • ca. 12′

  • commissioned by the Sarasota Music Festival

    Premiere in June 2020 cancelled due to Covid-19

The negation of art
(2020)

  • violin and prepared piano with found objects and mutes

  • ca. 11’30”

  • Premiered online in February 2021 by the composer

vestiges
(2019)

  • string quartet

  • ca. 11’30”

  • commissioned by the FLUX Quartet and the 2019 soundSCAPE Festival

    Premiered July 2019

presumably dogs do not reflect upon thinking itself
(2019)

  • 3 horns

  • ca. 10′

  • commissioned by the Fresh Inc. Festival

    Premiered June 2019

corps
(2021)
(revised 2022)

  • oboe, 2 clarinets in B-flat, bass clarinet in B-flat, trumpet in C, piano, percussion (crotales (with bow), 1 medium suspended cymbals, 1 low tamtam, snare drum, rototoms 6", 8", 1 0", 1 pair of bongos), 2 violins, viola, ‘cello, double bass, conductor

  • 12’

  • Commissioned and premiered at the Pierre Boulez Salle in Paris by Ensemble Intercontemporain and Simon Proust in March 2022.

    Performed at the Curtis Institute of Music in January 2024